A Written Life

by Jesaka Long

because the alphabet's personal

writer | reader | freelancer | laugher jesakalong.com

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53 posts tagged Lit

Book trailer for We Killed: The Rise of Women in American Comedy by Yael Kohen. The clips are hilarious, though I’m not exactly sure what it says about the content of the book. Still, I can’t wait to read it. 

smallsidenotes:

Finally…mmm books feed my soul #bookstore #knowledge #peace (Taken with Instagram at Powell’s Bookstore)

(via literatureismyutopia)

Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.

 ~ Joan Didion, from her essay Why I Write

Bookmans (an independent bookstore) does a banned books virtual read-out. Brilliant and moving. 

bibliofeminista:

Designed to resemble a library turned on its side, this espresso bar near Grand Central Station was inspired by the Bryant Park Library.

We do not believe in ourselves until someone reveals that deep inside us something is valuable, worth listening to, worthy of our trust, sacred to our touch. Once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit.

ee cummings (via likeafieldmouse)

(via somuchflotsam)

Is it fair to call this a book trailer when it clearly has a bigger budget than most? Maybe it’s more kin to a commercial. Anyway, Fred Armisen’s version of Penny Marshall hawking her new memoir MY MOTHER WAS NUTS is a good for a few laughs. 

(via readandbreathe)

Only a writer who’s pitched for a living could create this book trailer. Anyone who’s tried to sell a piecing of writing (from essays to memoirs to screenplays) will find this hilarious—and a little close to home. It’s the book trailer for WHERE’D YOU GO, BERNADETTE? by Maria Semple (who wrote for Arrested Development). She pokes fun at herself, Seattle and a host of other (worthy) topics. I’ve been waiting to read this (epistolary) novel because it sends up Seattle, where I lived for 13 years, and now that I’ve seen this trailer, it’s moved to the top of my list. 

This found its way to me via email, so I don’t know the original source.  (If you do, let me know and I’ll add the link here.) This image speaks for itself on so many levels. 

(via randomhouse)

Book review: RUNAWAY GIRL by Carissa Phelps with Larkin Warren

Runaway Girl - Carissa Phelps“No one ever said, ‘We love you, and it matters to us that you’re safe. Please stay home.’” This line from Carissa Phelps book RUNAWAY GIRL (with Larkin Warren) is heartbreaking for many reasons, most specifically because 1) it’s true and 2) its aftermath is devastating throughout Carissa’s young life.

RUNAWAY GIRL is a memoir of young girl who tried to escape her crowded, hungry household and her stepfather’s wrath through sleepovers with friends, which grew into stays that extended until she was told to go home. Desperate, she began to run away, avoiding her home for as long as she possibly could. Then her mother left her at Fresno’s Juvenile Hall. Carissa was only 12.

By the time she was 14, Carissa was a juvenile hall escapee who found herself sold for sex and drugs by a violent pimp and his girlfriend. Life starts to look up for her when enters a last-chance rehab facility for young people and meets a counselor who was patient and determined enough to reach Carissa through her pain.

As she discovers her love—and gift—for math and begins to reconnect with the world around her, it seems as though she’s on her way to a safer, less tumultuous life.

But it’s not that easy for her. In several searing, heartbreaking scenes, Carissa is invited by caring adults to live with them. Even though it’s clear she longs for the comfortable, giving homes they can provide, she can’t bring herself to say yes. The fear of being trapped by rules sends her running again and again. Her only “home” is the house with her mother and stepfather—and it’s clear that’s not an option for Carissa.

The book’s jacket copy informs readers that Carissa obtained her law degree and an MBA. Her journey from the street to the UCLA classroom is hard-fought and gut wrenching. But it’s her discovery of how her story can help other people that is so compelling—not because she realizes she can help people but because it never occurred to her.

“Looking for sympathy is ‘poor me,’” she writes. “Learning empathy is ‘We’re all in this together.’” She also writes, “As I realize the value of my suffering, I see that others feel pain and that they have found ways to muddle through it. The suffering we have in common makes me feel less alone, less singled out.”

Carissa shares her struggle with forgiving her mother as well and her approach to it as “putting out her own fire” is mind opening. So many memoirs end with a tearful reunion scene, a daughter forgiving a mother and forging a new relationship. Carissa’s is not so straightforward, which makes it all the more relatable.

RUNAWAY GIRL should be required reading for anyone with kids, especially girls, in their lives. In addition to sharing her story of strength and survival, she also educates with statistics such as this one: “One in seven American children will run away from home, and within forty-eight hours, one out of three will be asked, as I was, to ‘take care’ of someone.” Carissa’s book is not easy to get through, but it is a must read. 

Such a great personal piece on writer envy - and it goes beyond simply being jealous of another writer. It speaks to all that goes unspoken and, often unnoticed by instructors or professors, in writing workshops. 

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